Four Flicks
While we're on the subject of movies, I've been catching up on some oldies recently. In ascending order of enthusiasm:
I recommend My Favorite Wife, a 1940 screwball comedy starring Cary Grant and Irene Dunne. The plot involves a wife (Dunne) returning from a desert island after seven years presumed dead. The husband (Grant) has remarried the very morning she returns. Hijinks ensue. A lot of the action is corny -- in a Three's Company kind of way -- but there are some genuinely funny moments. And most of all, did I mention Grant and Dunne? They have more charm than 98% of today's actors combined. This isn't one of those classics that has aged very well, but it's a perfectly enjoyable treat. I fell madly in love with Dunne in this, but she's been dead for 18 years, so that's probably not going to work out.
I strongly recommend High Noon, which, like the next movie below, isn't exactly a trailblazing pick. Gary Cooper is a little dull for my taste, but Grace Kelly and a young Lloyd Bridges are both terrific. It's a simple story, but it generates a lot of drama by playing out in more or less real time.
And I don't have enough words to recommend His Girl Friday. No idea why it took me so long to see it, but Grant (again) and Rosalind Russell have insane chemistry. Like All About Eve, this is one in which dialogue hasn't really aged. The plot twists might be patently "zany" in a way that's extinct (in good movies, anyway), but the script is brilliant. I fell madly in love with Russell in this, but she's been dead for 32 years, so that's probably not going to work out.
What do these vintage movies have in common? Their running times are 88, 85, and 92 minutes, respectively. The Dukes of Hazzard was 106 minutes. I am here to tell you that, nine times out of 10, less is more. This is a lesson Hollywood hasn't just forgotten -- it's covered it in gasoline and set it aflame.
Lastly, there's Marty, also lean (91 minutes), and the 1955 Oscar winner for Best Picture, but not as essential. It stars Ernest Borgnine, who won Best Actor, as a lonely, good-natured 34-year-old bachelor living with his mother in the Bronx. When he meets Clara (Betsy Blair), a plain 29-year-old with equally few prospects, the two hit it off. Borgnine is perfect for the role, there are some charming black-and-white images, and Marty and his friends engage in a couple of funny, Diner-like conversations. But the story is so sweet that it's almost inert. It's not bad, but a little boring. Perhaps worth seeing in the long run, but no rush.
Marty did have striking posters in Russia and Poland:


I recommend My Favorite Wife, a 1940 screwball comedy starring Cary Grant and Irene Dunne. The plot involves a wife (Dunne) returning from a desert island after seven years presumed dead. The husband (Grant) has remarried the very morning she returns. Hijinks ensue. A lot of the action is corny -- in a Three's Company kind of way -- but there are some genuinely funny moments. And most of all, did I mention Grant and Dunne? They have more charm than 98% of today's actors combined. This isn't one of those classics that has aged very well, but it's a perfectly enjoyable treat. I fell madly in love with Dunne in this, but she's been dead for 18 years, so that's probably not going to work out.
I strongly recommend High Noon, which, like the next movie below, isn't exactly a trailblazing pick. Gary Cooper is a little dull for my taste, but Grace Kelly and a young Lloyd Bridges are both terrific. It's a simple story, but it generates a lot of drama by playing out in more or less real time.
And I don't have enough words to recommend His Girl Friday. No idea why it took me so long to see it, but Grant (again) and Rosalind Russell have insane chemistry. Like All About Eve, this is one in which dialogue hasn't really aged. The plot twists might be patently "zany" in a way that's extinct (in good movies, anyway), but the script is brilliant. I fell madly in love with Russell in this, but she's been dead for 32 years, so that's probably not going to work out.What do these vintage movies have in common? Their running times are 88, 85, and 92 minutes, respectively. The Dukes of Hazzard was 106 minutes. I am here to tell you that, nine times out of 10, less is more. This is a lesson Hollywood hasn't just forgotten -- it's covered it in gasoline and set it aflame.
Lastly, there's Marty, also lean (91 minutes), and the 1955 Oscar winner for Best Picture, but not as essential. It stars Ernest Borgnine, who won Best Actor, as a lonely, good-natured 34-year-old bachelor living with his mother in the Bronx. When he meets Clara (Betsy Blair), a plain 29-year-old with equally few prospects, the two hit it off. Borgnine is perfect for the role, there are some charming black-and-white images, and Marty and his friends engage in a couple of funny, Diner-like conversations. But the story is so sweet that it's almost inert. It's not bad, but a little boring. Perhaps worth seeing in the long run, but no rush.
Marty did have striking posters in Russia and Poland:
Labels: Cary Grant, High Noon, His Girl Friday, Irene Dunne, Movies, Rosalind Russell

