He's also a stern grader, only doling out one A+ and four A's to last year's class (all very well deserved, in my opinion). Conversely, there are 22 F's and one F-. This is partly due to the fact that he sees every mainstream movie -- Failure to Launch, Lions for Lambs, etc. But he also subjects himself to things like Death Tunnel, Wrong Turn 2: Dead End, and Glass House: The Good Mother (tagline: She makes Mommie Dearest look like an angel).
The new blog is decorated with vintage art from women-in-prison flicks, but the title is less salacious than you might think -- it comes from this classic exchange in Kicking and Screaming, when Chet and Otis discuss All the Pretty Horses by Cormac McCarthy. It's supposed to be a two-man book group, but only Chet has come prepared:
Chet: You know what I noticed, near the end of the book, when Grady goes to the prison, that the violence, which has up to then had a ferocious energy about it, departed from the emotional violence and became terrifyingly brutal and real. And particularly after he left the prison and he went to find that horse, I found the descriptions of the horse to be, frankly, astonishingly beautiful and yet disturbingly arousing. What are your thoughts?
Otis: Um, yeah, yeah, yeah, definitely. You are, you're right on, I think. You really, you've pinned down the, uh...what it is about the book. Definitely with the prison, when, um, when Grady is does he's...there's violence, there's a lot of violence, and it's like night and day. And when Grady...he saw those, those horses, I think you were saying, and it was arousing. It was...violently arousing.
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